Saturday, March 1, 2008

Julian LaVerdiere

1. What is his favorite piece of artwork that he has created?
2. What are his inspirations?
3. How does he manage to have constant inspiration?

I can’t even imagine what it must be like to have constant inspiration, ever flowing. I would think that would be overwhelming, I wouldn’t be able to cope with all of it and trying to organize my thoughts to make artwork. All I know is this guy must have a lot of patience and love for art and work. Also, he sets really high ambitions for himself; to be the modern day faust! The best of luck to him, I hope he succeeds.

I also like how history is important to him, it fascinates, intrigues him. He wants everyone to be aware of its importance. I’m guessing that he likes to incorporate historical ideas into his work? His piece about the cable crossing was interesting. HE does have a point about people’s interest. No one fully appreciates a lot of the extravagant work that scientists have done in the past and present. It’s all about Hollywood, celebrities. People like to be entertained. Events that are life changing never get enough credit as they should, such as the dawning of the communication era. HE knows his history.

I want one of his dream generating devices. Those sound awesome! A device that can conjure up images of flying , yes please!! I love that he wants to give people the feeling of freedom and strength through these special pillows and what not. OMG, his DVD is genius. That is very true, it’s the anticipation, the build up before the revealing that is always the most exciting, but once it has come to pass, it has little force. I love that he didn’t title it, it exemplifies the mystery, and also that it is never ending, you never get to see what’s inside the safe. That way, you are always on your toes, also inspired and waiting, always intrigued. Very clever Julian!

I must admit that I did not know that the two beams of light rising in the twin towers palce was done by an artist, julian specifically. That makes me respect him even more. I always thought those lights were beautiful and the meaning and inspiration and hope behind it and that it gave people was really inspiring.

1. When did he realize that he enjoyed history so much, that it would be a part of his work?
2. How do you feel about commercial art, are you for or against it?
3. How much time do you spend in your studio? Since you have ever flowing inspiration, do you spend most of your time there?

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